It all dates back to 2006 in Meerane, closely tied to artist Tasso’s search for new ways of expression. This search led to the first transformation of a vacant industrial area (Industriebrachenumgestaltung), known as ibug, which has since developed into a world-renowned festival for urban art. Every year, traditionally during one or two weeks in August, the ibug team opens up a new abandoned space for international graffiti, street art and media artists. Each of them brings in their creativity: Incorporating experiments in genres, materials and techniques; the contemporary, as well as the history of the abandoned area surrounding them. The focus is on the remnants of Saxon industrial culture, highlighting the connection to history, culture, and architecture. The goal is to breathe new life into the abandoned to remind us of what has been forgotten. The grand finale is a multi-day festival with music, film, design and art, which carries forward the ibug’s way of life, serving as inspiration for the development of the region for the public.

From brushstrokes on the wall to installations and multimedia works, there is a common denominator that unites all the artists at ibug: street art, urban art, the art of the street and public space. They are given the opportunity to let their creativity flow freely and present the results to an international audience. Both the history and the architecture are incorporated into their works. Another significant factor is the interaction, both with the environment and with each other. The shared process of creation is meant to foster connections between the individual creatives. Ibug itself does not set political or socio-cultural directives, but it only has space for ideas that contribute to a world-open, tolerant, and peaceful society. In this sense, personal views or critiques of injustices may flow into the artistic work. However, it is also valid for anyone to claim that art is simply art—without message or opinion. In terms of time, the fleeting nature of the work is inevitable.

The ibug begins with those who dare to take on the challenge year after year. The team of volunteers, some new and some with years of experience, who invest their time, skills and hearts into the festival. They carry ibug on their shoulders. For them, as well as the invited international guests, ibug serves as a great gathering, not only on a creative level but also on a personal level—as if it were a summer camp for adults. The variety of different styles, techniques, and working methods not only offers a unique opportunity for exchange but also captures a snapshot of the scene. Ibug is not a closed-off event but an open one, aiming to spark thoughts and inspire new impulses in the region where it takes place. Long-time residents reminisce upon entering the site and see the places of their past in a new light. Ibug demonstrates how art can revitalize long-abandoned places. It serves to enrich all those involved—artists and the region—but not for profit.

We are also pleased that we can now offer special tours for school classes. These take place in a special week after the festival weekends. School classes can register here.